Team Cupcake

Jason Sanford

Executive Producer

From the moment he was born, Jason was destined to be a part of the film and TV world – his mother gave birth to him while watching Bonanza in a trailer. The Santa Barbara native grew up playing competitive tennis, but it didn’t take long for his dreams to beckon, and Jason headed to UCLA to study theatre. Soon after, his love of the theatrical took him to The American Conservatory Theatre in San Francisco, where he pursued further study in acting and writing. While there, he met mentor Anna Deavere Smith, who continues to inspire him to expand his knowledge of his craft, and to always think outside of the box. He would later go on to help found Crafty Apes, with credits as a VFX producer on films including Ant-Man and the Wasp, John Wick 2, and La La Land.

Tim LeDoux

Senior VFX Supervisor

Growing up in Kodiak, Alaska, Tim was always intrigued by the intersection of art and science, an interest he pursued by studying chemistry and theatre at Westmont College. After graduation, he took a theatrical hiatus in Los Angeles, but instead found his calling in visual effects – a calling he followed as a founding member of Crafty Apes. Tim is extremely proud of his role in the company’s growth and success, as well as his work as VFX supervisor on films such as La La Land, Jumanji: Welcome to the Jungle, and A Star Is Born. Always learning and always searching for new challenges, he enjoys the many trials and rewards visual effects presents, as well as its unique blend of artful beauty and technical skill.

Joshua LaCross

VFX Supervisor

Josh’s love for storytelling kicked off way back in high school, when he drove to San Diego Comic-Con to pass out story ideas to anyone that would take them. He joined the Air Force at 19, completing multiple overseas tours that further fueled his passion for storytelling. After putting himself through night school and earning a bachelor’s degree in visual effects, Josh started working in film and eventually became a VFX supervisor, creating stunning visuals for some of Hollywood’s biggest movies like Thor: Ragnarok, Star Wars VII, and Power Rangers. He won Emmy Certificates for Best Visual Effects in a Miniseries for his work on John Adams and The Triangle, and a VES award for Best Compositing in a Broadcast Program or Commercial for John Adams.

Adam Pere

VFX Producer

Originally from southern Florida, Adam realized his love for making movies when he first got his hands on his parents’ vintage camcorder. His dream of working in entertainment took him from Indiana University to Los Angeles, and eventually to a small VFX company that was looking for a PA. As Crafty Apes grew from that small company to one of the pre-eminent VFX shops in the industry, so too did Adam’s résumé, which now includes credits on countless box office successes from La La Land to Hidden Figures, as well as several films from the Marvel franchise. As an avid film buff, it’s no surprise that he spends much of his free time going to the movies with friends, while mixing in a little snowboarding and gaming when the mood strikes him.

Gabriel Sanchez

VFX Supervisor

A business student when he began college, Gabriel’s creative inclinations and love of movies eventually got the best of him. Starting out in film as a videotape vault librarian, he used his drawing and painting skills as a jumping-off point and taught himself VFX software just as the industry was taking shape, working his way up in visual effects and forming partnerships with directors like Wes Anderson. His long list of credits includes work as a senior compositor on Terminator 2, Seabiscuit, and Precious; post supervisor on Black Swan, Limitless, and Rocky Balboa; and VFX supervisor on The Grand Budapest Hotel and episodes of NCIS: New Orleans and Game of Thrones. Gabriel spends his time out of the office with his wife and their two pit bull rescues.

Molly Pabian

Senior VFX Producer

Michigan born and raised, Molly always had a passion for movies. Growing up her bedroom was filled with movie posters and an extensive VHS collection. Some of her favorite movies included: Jurassic Park, Death Becomes Her, and Willow, all of which were very VFX heavy. One day, Brooks Institute of Photography persuaded her to move to Ventura, California to pursue her love for movies. While at Brooks, she learned all aspects of film making, but her passion remained in Visual Effects. During the last 4 months of her college career she interned at a VFX house, earning her first credit on Live Free or Die Hard before she graduated. After that she was brought on as the company's PA and has been climbing ever since. Molly brings experience from some of the top studios around the world: Digital Domain, Rhythm and Hues, Method, and DNEG. Working on both features and episodics, she has racked up close to 100 credits; some of her most notable credits include: Avatar, Real Steel, Life of Pi, Iron Man 3, True Detective, Justice League, Lost in Space, Westworld, A Series of Unfortunate Events, Joker, and Star Trek: Picard. In Molly's free time you can find her spending time with her dog, Bailey, cooking, DIYing, and of course watching movies.

Brandon Nelson

VFX Supervisor

Brandon Nelson hails from the sticky, gator-ridden lands of the Southeast and grew up on a steady diet of 80s movies from his father's masking-tape-labeled VHS film library. That early understanding of the importance of the visual arts led him to eventually pursue a higher education in the field at Savannah College of Art and Design, taking every class and obtaining every degree offered in visual effects and animation.

Today Brandon is an accomplished artist and supervisor; an alumnus of Rhythm and Hues and Method Studios. He cites the movie Hackers and the pink and teal Solo Jazz pattern as chief amongst his artistic influences. His list of credits include Fast & Furious, Life of Pi, Captain America: Civil War, Avengers: Infinity War, and too many talking animal movies to name.

Brandon is never happy unless he's being challenged and pursues all his interests to their logical extreme, whether that be building motorcycles, hot-tubbing, or making computer pictures. He may never become as strong as The Rock, but he's not going to stop trying.

Chris Kenny

VFX Supervisor

A California native and avid Cat owner, Chris Kenny’s mix of childhood inspirations and forward thinking influence his outlook on visual effects and technology today. His love of computer art began when he was 7 years old, using his Apple IIe to look at ASCII art in his bedroom. His early life was shaped heavily through media like the Anarchist Cookbook, dreary Sci-Fi novels, and the hit television show MacGuyver.

After graduating from Academy of Art San Francisco Chris went on to play a large role at studios like The Orphanage, Rhythm & Hues, and Method Studios. In 2012 his contributions to the film Life of Pi at R&H helped earn the studio the Academy Award for best Visual Effects.Chris is always looking ahead to find new ways to incorporate emerging technologies into modern visual effects workflows. He enjoys gardening, exotic meats, and anything with a strongy smoky flavor.

Weekend Rafting

Red Velvet Cupcake

They’re adorable, easy to make and nutritious.

This recipe is courtesy of Ina Garten.


2 1/2 cups all-purpose flour
1/4 cup unsweetened cocoa powder, such as Pernigotti
1 teaspoon baking powder
1 teaspoon baking soda
1 teaspoon kosher salt
1 cup buttermilk, shaken
1 tablespoon liquid red food coloring
1 teaspoon white vinegar
1 teaspoon pure vanilla extract
1/4 pound (1 stick) unsalted butter, at room temperature
1 1/2 cups sugar
2 extra-large eggs, at room temperature
Red Velvet Frosting, recipe follows


Preheat the oven to 350 degrees F. Line muffin tins with paper liners.

In a small bowl, sift together the flour, cocoa powder, baking powder, baking soda, and salt. In a large measuring cup, combine the buttermilk, food coloring, vinegar, and vanilla.

In the bowl of an electric mixer fitted with the paddle attachment, beat the butter and sugar on medium speed for 1 minute, until light. Add the eggs, one at a time, and beat until combined. With the mixer on low speed, add the dry ingredients and the wet ingredients alternately in 3 parts, beginning and ending with the dry ingredients, and mix until combined. Stir with a rubber spatula to be sure the batter is mixed.

Scoop the batter into the muffin cups with a 2 1/4-inch ice cream scoop or large spoon. Bake for 25 to 30 minutes, until a toothpick inserted in the centers comes out clean. Cool completely in the pans and frost the cupcakes with Red Velvet Frosting.

Red Velvet Frosting:
Place the cream cheese, butter, and vanilla in the bowl of an electric mixer fitted with the paddle attachment, and mix on medium speed just until combined. Don’t whip! Add the sugar and mix until smooth.